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Search Result for Artist Thelonious Monk
viewing 1 To 19 of 19 items
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DMOO 054LP
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An innovative and idiosyncratic pianist, Thelonious Monk has been hailed as one of Be-Bop's founding figures, with unexpected melodic shifts and dramatic hesitation hallmarks of his work. Monk By Five is one of the lesser-known sessions recorded for Riverside in the late 1950s and is one worthy of a wider audience; it features the bright swing of the new "Jackie-ing" and the more dissonant "Played Twice," alongside engaging revisits of "Straight No Chaser," "I Mean You" and "Ask Me Now," the interplay between Monk, cornetist Thad Jones and saxophonist Charlie Rouse especially noteworthy. Definitely worth investigating.
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NAKED 036LP
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The jazz giant Thelonious Monk is here featured in this live recording in New York. Monk is in his best form during this "Village Gate" gig, along with famed session men accompanying him here and forming this solid quartet -- namely, Charlie Rouse on tenor saxophone, John Ore on the bass, and Frankie Dunlop on the drums. The album features three Monk's originals ("Rhythm-A-Ning", "Evidence", "Jackie-ing") and two jazz standards ("I'm Getting Sentimental Over You" and the immortal "Body And Soul" in two takes).
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DMOO 014LP
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Destination Moon present a reissue of Thelonious Monk's The Unique, originally released in 1956. Pioneering be-bopper and unorthodox pianist Thelonious Monk was largely underacknowledged for the role he played in changing jazz forever. The Unique Thelonious Monk, the second of his LPs for Riverside, was recorded in 1956 with bassist/cellist Oscar Pettiford, who Monk had bonded with in Coleman Hawkins' band, and the wildcard drummer, Art Blakey, pushing things farther into the realm of experimentation, despite the set being comprised of jazz standards. Thus, "Tea For Two" becomes a hard-bop romp and "Honeysuckle Rose" has lashings of outré diversions -- plenty of fun for all Monk devotees.
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DMOO 011LP
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Destination Moon presents a reissue of Thelonious Monk's The Prophet, originally released in 1961. In 1954, during his first trip to Paris, the adventurous pianist and be-bop pioneer Thelonious Monk recorded a handful of songs for French radio, later issued as The Prophet. Unencumbered by bass, drums, or most other accompaniment, Monk gives you all we need in left-hand rhythms and right-hand melodies; "Round About Midnight" and "Reflections" show Monk's masterful command and there's a one-off take of "Smoke Gets In Your Eyes". Highlighting his capabilities in full, this is required listening for Monk fans and lovers of solo jazz piano.
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HONEY 038LP
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2023 repress. Volume 1 of two volumes split on two LPs (alongside HONEY 039LP), this is Thelonious Monk's complete concert at the Montreal Jazz Festival in August 1965. At the head of his last great quartet featuring Charlie Rouse on tenor sax, Larry Gales on bass and Ben Riley on drums, Thelonious "Sphere" Monk was in top form delivering a strong set of angular tunes including originals such as "Straight No Chaser", "Evidence", "Epistrophy", "Blue Monk" and a rare interpretation of a classic standard like "April in Paris".
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HONEY 039LP
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Volume 2 of two volumes split on two LPs (alongside HONEY 038LP), this is Thelonious Monk's complete concert at the Montreal Jazz Festival in August 1965. At the head of his last great quartet featuring Charlie Rouse on tenor sax, Larry Gales on bass and Ben Riley on drums, Thelonious "Sphere" Monk was in top form delivering a strong set of angular tunes including originals such as "Straight No Chaser", "Evidence", "Epistrophy", "Blue Monk" and a rare interpretation of a classic standard like "April in Paris".
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NAKED 016LP
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The legendary Thelonious Monk's appearance at the legendary Newport festival in 1963 when the so-called "High Priest of Bop" brought one of his greatest quartets featuring master Charlie Rouse on tenor sax, Butch Warren on bass, and Frankie Dunlop on drums. This is a great performance based on five of Monk's classic compositions: "Criss Cross", "Light Blue", "Nutty", "Blue Monk", and "Epistrophy". This is pure Monk's essence, don't miss it.
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NAKED 009LP
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The legendary Thelonious Monk Quartet's appearance at the world-famous Concertgebouw in Amsterdam in May 1961. The high priest of bop, one of the most important, if enigmatic figures in modern jazz together with three of his main disciples, tenor sax specialist Charlie Rouse and the ultra-dynamic rhythm section of double bassist John Ore and drummer Frankie Dunlop, in a wonderful performance based on super tight renditions of classic tunes such as "Jackie-ing", "Straight No Chaser", "Crepuscule With Nellie", and "Rhythm-a-Ning". Surely, both the band and the packed house had a ball that night!
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WLV 82132LP
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Wax Love present a reissue of the seven-song The Unique Thelonious Monk, originally released in 1956. The release was the pianist's second during his remarkable five-year tenure on Riverside. His debut for the label was the aptly titled Plays Duke Ellington (1955) and once again, on this disc, Thelonious Monk's song selection did not feature any original compositions. Rather, the well-chosen standards included exemplify and help further establish the pianist and bandleader within the context of familiar melodies at the head of a trio -- consisting of Oscar Pettiford (bass) and Art Blakey (drums). Regarding the personnel, while Pettiford had also accompanied Monk on the Ellington sides, Blakey replaces Kenny Clarke. The pairing of Monk and Blakey cannot be overstated. Immediately, evidence of their uncanny instrumental interaction is the rhythmic focal point of "Liza, All the Clouds'll Roll Away" as the two play musical cat-and-mouse. They cajole and wheedle atop Pettiford's undulating undercurrent as it sonically corals their skilled syncopation and otherwise inspired mile-a-minute interjections. This is starkly contrast to the haunting, lyrical piano solo on "Memories Of You". Monk infuses the piece with such profound ingenuity and integrity that his re-evaluation and innovative arrangement are singularly and undeniably his own.
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N 77009CD
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Live In Berlin 1961/Live In Essen 1959 by Thelonious Monk Quartet/Martial Solal Trio, is original master concert recordings from the 22nd of May, 1961 at Deutsche Jazz Salon, Berlin, and April 18th, 1959 at Grugahalle, Essen. Both sessions were retrospectively released for the first time in 2012. This is release is another in WDR's The Cologne Broadcasts series, produced by Rolf-Dieter Weyer, Manfred Niehaus, and Franz-Josef Schwarz and mastered by Thomas Sehringer. Both formats include musician and composer credits, plus liner notes by journalist and radio host Karsten Mützelfeldt in English and German. Personnel: Thelonious Monk Quartet: Thelonious Monk - piano; Charlie Rouse - tenor saxophone; John Ore - bass; Frankie Dunlop - drums. Martial Solal Trio: Martial Solal - piano; Oscar Pettiford - bass; Kenny Clarke - drums; Lucky Thompson - soprano saxophone ("The World Awakes" and "Yesterdays"). In slipcase with eight-page booklet.
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N 78008LP
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LP version. 180 gram vinyl; gatefold sleeve. Live In Berlin 1961/Live In Essen 1959 by Thelonious Monk Quartet/Martial Solal Trio, is original master concert recordings from the 22nd of May, 1961 at Deutsche Jazz Salon, Berlin, and April 18th, 1959 at Grugahalle, Essen. Both sessions were retrospectively released for the first time in 2012. This is release is another in WDR's The Cologne Broadcasts series, produced by Rolf-Dieter Weyer, Manfred Niehaus, and Franz-Josef Schwarz and mastered by Thomas Sehringer. Both formats include musician and composer credits, plus liner notes by journalist and radio host Karsten Mützelfeldt in English and German. Personnel: Thelonious Monk Quartet: Thelonious Monk - piano; Charlie Rouse - tenor saxophone; John Ore - bass; Frankie Dunlop - drums. Martial Solal Trio: Martial Solal - piano; Oscar Pettiford - bass; Kenny Clarke - drums; Lucky Thompson - soprano saxophone ("The World Awakes" and "Yesterdays").
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TRAIT 005LP
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LP version. One of the greatest visionary in jazz history, Thelonious Monk, caught here in different formations -- solo, trio, quartet, and quintet -- including saxophone masters such as Coleman Hawkins, Johnny Griffin, and John Coltrane. Includes selections from Thelonious Monk Trio (1954), Monk's Music (1957), Brilliant Corners (1957), Misterioso (1958), and Thelonious Himself (1957).
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TRAIT 005CD
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One of the greatest visionary in jazz history, Thelonious Monk, caught here in different formations -- solo, trio, quartet, and quintet -- including saxophone masters such as Coleman Hawkins, Johnny Griffin, and John Coltrane. Includes selections from Thelonious Monk Trio (1954), Monk's Music (1957), Brilliant Corners (1957), Misterioso (1958), and Thelonious Himself (1957).
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JD 120LP
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Jeanne Dielman present a reissue of a compilation of recordings Milt Jackson made with The Modern Jazz Quartet (with Lou Donaldson on saxophone) and The Thelonious Monk Quartet from 1948-1952, originally released in 1955. This release highlights the bebop brilliance of vibraphonist master Jackson. Inspired by Lionel Hampton, Jackson took up the vibes at age 16 and was performing in Dizzy Gillespie's group by age 22. It was in Gillespie's group that the foundations of one of the most well-known and best-selling jazz groups, The Modern Jazz Quartet, were laid in the ground. That group, who recorded countless albums, first recorded in 1952, and these are some of their earliest recordings. Essential music from a jazz master, accompanied by some of the brightest artists in jazz history.
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ACV 2081LP
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Doxy present a reissue of Thelonious Monk's Monk's Music, originally released in 1957. "(...) Monk's Music is among the most significant of Thelonious Monk's classic albums. Here he was literally looking back and ahead at the same time, by bringing together Coleman Hawkins (the very first important voice on tenor saxophone) and John Coltrane (on the verge of becoming a major shaping force of the '60s). Equally notable is the incredible rhythmic support provided by combining Art Blakey and Wilbur Ware; and, justifying the album title, a selection of vital Monk compositions - plus his choice of the 19th century hymn, 'Abide With Me' (written by one William H. Monk) (...)" --Music Direct. Edition of 500 (numbered).
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HH 3062CD
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Thelonious Monk, live at the Montreal Jazz Festival, Palace Des Arts, Canada on the 21st of August, 1965. Following his move to Columbia Records in 1963 and his appearance on the cover of Time the following year, 1965 found Thelonious Monk at his commercial peak. This superb performance at Montreal Jazz Festival on 21st August 1965, finds him on remarkable form, though sadly his powers would dwindle thereafter, as mental illness made a recluse of him. This CBC radio broadcast features several of his most enduring compositions and it's presented here in excellent quality, together with background notes and images.
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JD 109LP
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1956's The Unique Thelonious Monk was the legendary pianist's second LP for the Riverside label, with which he would have a fruitful relationship that would span six years and over a dozen albums. Though this is, in fact, a piano trio album made up of standards, it is so much more than that might imply as it is also a Thelonious Monk record. As always, his genius for improvisation and interpretation of melody are on full display, a fantastic early record from one of the true iconoclasts of jazz, and another fine reissue from Jeanne Dielman.
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P 757674HLP
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180 gram reissue, originally released in 1969. Arranged and conducted by Oliver Nelson. "Monk's genius shines through on some of the more sensible and sensitive arrangements, such as 'Reflections,' 'Monk's Point,' and the surprisingly tasteful 'Brilliant Corners.'" -- All Music Guide
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P 757675HLP
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2023 restock; 180 gram reissue, originally released in 1964. Featuring Charlie Rouse (tenor sax), Butch Warren (bass), Ben Riley (drums) and Thelonious Monk (piano). "It's Monk's Time (1964) contains some of the best -- if not arguably the best -- studio sides that the pianist cut during his final years as a recording musician.... From four sessions in early 1964, It's Monk's Time gathers four quartet and two solo sides, presenting the pinnacle of what these musicians offered stylistically as well as from the standpoint of presentation. There is sense of mischievous playfulness in Monk's nimble keyboard work, especially notable on the beautifully off-kilter unaccompanied opening to 'Lulu's Back in Town,' and the same practically impish quality also drives the solo performance on 'Nice Work if You Can Get It.' Both pop standards are prime examples of the bop pioneer's inimitable approach to arranging, and also provide an uncanny insight to his influences." -- All Music Guide
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viewing 1 To 19 of 19 items
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